René Orea
     Audio (compositions)
 
Psaume équinoxial
Equinoctial Psalm
Salmo Equinoccial
(2010)
For soprano-saxophone and chamber orchestra.
Appassionata Ensemble;
Daniel Myssyk (conductor);
Marie-Chantal Leclair (soprano-sax).
Excerpt : final.
 
 
 
Commissioned by Appassionata.
Épalékémah
(2007)
Quintet for flute, clarinet,
double-bass and 2 percussions (including Indian tabla).
Quintette Mont-Royal.
Excerpts.
 
 
 
Commissioned by the
Mont-Royal Quintet.
Ronda de Sirénulas
(2006)
Quintet for flute, violin, cello, double bass and piano.
Bolivar Soloists Ensemble
Excerpt : final.
 
Commissioned by Bolivar Soloists.
Six Espaces koralianiques
Seis Espacios Koraliánicos
Six Koralianic Spaces
(2009)
For kora and chamber orchestra.
Appassionata Ensemble;
Daniel Myssyk (conductor);
Zal Sissokho (kora, improvisations).
Excerpts.
 
 
 
Commissioned by Appassionata.
Termales, II : “Thaya” (air)
(2011)
For baroque violin and bandoneon with string orchestra.
Appassionata; Daniel Myssyk (cond.); Olivier Brault (baroque violin),
Denis Plante (bandoneon).
Excerpt : final.
 
 
 
Commissioned by Appassionata.
Landocinógena
(2008)
For chamber orchestra.
Orchestra 21. P. Bellomia (conductor).
Azabache
(2008)  
Sextet for flute, clarinet, violin,
double bass, 2 percussions
(music for contemporary dance)
Atelier de musique contemporaine de l’Université de Montréal/Académie de danse moderne de Montréal.
Excerpts.
Cuatro Evocaciones Venezolanas
Quatre évocations vénézuéliennes
Four Venezuelan Evocations
(2004)
Trio for flute, piano and percussion.
René Orea (flute),
Jacynthe Riverin (piano)
Militza Núñez (percussions).
Excerpts :
II-”Lunámbula”, IV-”Guasáfora”.
Alucinaciones de un Pajarillo Verde
Hallucinations d’un oisillon vert
Hallucinations of a Little Green Bird
(2006)
For bandola and piano.
René Orea (bandola),
Jacynthe Riverin (piano).
Excerpt.
Tres Irunulaciones
Three Irunulations
(2001)
For flute and piano.
René Orea (flute),
Jacynthe Riverin (piano).
Excerpts :
I-”Pasaje”, II-”Diurnalia”,
III-”Costa-Montaña”.
 
 
 
Composed in residency at the Virginia Center for
the Creative Arts (bourse UNESCO-Aschberg).
Tuyería Barroca
(2004)
For flute (or another melodic instrument) and piano.
R. Orea (flute), Ingrid Astudillo (piano),
of the Çavana Ensemble.
Album “Perspectivas y Relieves”,
Montréal, 2004.
Extraits sonores
Œuvres de René Orea (sélection)
 
[La liste complète des compositions est disponible sur demande].
Vous pourrez apprécier ici les divers styles et langages musicaux exploités par René Orea (atonal, modal, tonal, micro-tonal, etc.) :
2. Langage populaire-classique (styles sud-américains)
Petits ensembles
___________________________________________________________________
Cacute
(1997)
Genre : venezuelan merengue.
Caracas Sincrónica Ensemble
Raúl Abzueta (guitar)
Pedro Marín (mandolin)
Alessandro García (clarinet).
Album “El Agridulce”,
Caracas, 1998.
Insomnia Guarairae
(1999)
Genre : waltz-lullaby
Pabellón sin Baranda Ensemble
(performers and arrangers)
Orlando Cardozo (cuatro)
Javier Montilla (flute)
Pedro Vásquez (cello).
Album “Atrinca”,
Caracas, 2007.
Mensajero del Alba
Messager de l’aube
(2006)
[Music and lyrics : R. Orea].
Genre : aguinaldo (song for Christmas).
Soraya Benítez, Churuata vocal ensemble, Victor Simon (piano),
R. Orea (flute) and friends.
Album “Navidad”,
Montréal, 2006.
Pièces et chansons à instrumentation variable
pouvant inclure de l’improvisation
Dos Tempestades y una Languidez
Deux tempêtes et une langueur
Two Storms and a Languidness
(2008)
For cello and piano.
Yolena Orea (cello),
Tiffany Butt (piano).
Excerpt : II. Languidez
1. Écriture contemporaine
 
Orchestre, soliste avec orchestre